At last I have been able to get back into the studio and do some printmaking. You may remember, if you have been following my blog, that I spent some time building a set of four musical themed collagraph plates to print as one image. I printed up a couple but then got busy with some paintings and other stuff and never got to printing up all four together. Yesterday I pulled two prints from them but was pretty disappointed with them both. I was experimenting with viscosity roll ups starting with an intaglio in dark blue, followed with a hard roller roll up in red, followed by a soft one in yellow. The idea was for them all to overlay and create some beautiful greens and purples as well as the colors that I used however that didn't happen. While doing the first one I was interrupted and the paper dried out a bit and the inks too, so the image isn't as sharp or dense. Also the yellow didn't blend with the blue in many places and so is just too bright. The second one I did in the same manner but used a cad yellow and cad red to try and dull it down a bit but it is still too bright. The great thing about all this though is how much you learn each time you proof a plate. The other challenge with this print is the size relative to the size of my press. The image is 32 inches long and the press bed is only 36 inches so it was difficult to get the paper trapped under the roller, get the plates tucked in close and then have some room left at the other end to hold the roller on the print bed once the print has been rolled through. I think I will have another attempt to print this plate but ink it up in my usual way and then see how it turns out.
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1 comment:
That's not bad for a first attempt - I really like the colours. The second plate with the cello is the nicest - the hands and the blue violin are a bit smudgy - other than that I like it and look forward to seeing your next run.
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