Atlanta Artists Center National Exhibition

I have just had a piece accepted in the Atlanta Artists Center annual national exhibition called the "National View at Grandview". There were 78 pieces chosen from 35 states. The exhibition at the AAC in Buckhead runs Tuesday, August 26 - Tuesday, September 30, 2008. The opening reception is Saturday September 6, 2008 (6-8 PM).

For those of you who live in the Atlanta area it should be an interesting exhibition to visit as it appears that the juror, Paula J. Katz, assistant Curator of Art at The Columbus Museum in Columbus, GA, chose a wide variety of different media to be shown.

I have been waiting for a very exciting printmaking accessory to arrive. It's a large roller which is used to roll on a final layer, or more, of ink to a printmaking plate that has been previously inked up in the intaglio manner. This is called viscosity printing because the inks are of a different viscosity, meaning stickiness or oiliness. Where the oily ink is on the plate it resists the sticky layer of ink so it makes for an interesting effect on the final finished print. I am eager to get rolling and printing all the collagraph plates I have been working on over the past few weeks.

Collagraph Printmaking

I have been working on a series of plates for a music based collagraph print. A few weeks back I posted a photo of the collagraph plates in the progress of being constructed. In that photo the plates were whitish in color because they were unfinished and they hadn't been coated with shellac. I am now one stage further ahead. In the photo below you will see all four plates, one of which has been inked and run through as a test print. The others have a yellowish color which comes from the coating of shellac that is put on to seal the plate and help protect it. I am not happy with the test print at all but I have added a photo of it so that you can see the process.

You will notice that the letters are back the front. That is because in printmaking, things print in reverse. Also what is high on the plate will print deep on the paper and the other way around. You will see this in the photo of the test collagraph print below.

If you want to see more of my collagraph prints go to my web site http://www.susanneclark.com/ and check out the collagraph printmaking gallery page.

Kimono Collagraph Print is the July Draw


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This month one of my Kimono collagraph prints will go to the person whose name I draw from the email subscriber list. If you are not on the list and wish to be, sign up now with the subscriber button on this page.


I have been working on a new collagraph print with a musical theme. Because many of my paintings recently have had a musical theme I thought that it would be interesting to take that over into my printmaking. I am making four plates 8 inches by 12inches, that will, when all printed together, make a wide narrow print that is 32 by 12. In the picture you can see that I am at the beginning stages and still trying to decide what textures and shapes to add to the plate. Once I have finished adding stuff I will coat the plates with a shellac finish, ink them up and then print by running through my press. I have the option to make prints using the whole four plates or as few as I like. There is always the possibility that I may not like the way any of them print and so then I would have to discard them but hopefully that won't be the case.









The dark areas on the plate are made by putting glue where I want it and then sprinkling carorundum grit over the glue. The grit is a black sand like substance and when inked up for printing, it prints very dark. Where I paint with acrylic paint the ink will wipe off more and print lighter. Every type of paper and substance collaged onto the plate prints in a different manner so it's exciting to try new materials.

In my next post I will show you how this is progressing and also post a photograph of "Tempo in Blue" which now has it's bow in place.

Cello Painting "Tempo in Blue"

I couple of postings back I showed photos of the process of painting Tempo In Blue. As I said in the post I wasn't sure if the painting was finished or not, but that I needed to spend time looking at it to decide. It's so funny because I kept looking at it and thinking something was wrong and that it wasn't quite finished but I didn't know why. All of a sudden I realised I had hands playing the cello but no bow! I had forgotten to put it in. I am now in the process of adding the bow and I'll post the finished painting in a day or so, along with a photo of the Kimono collagraph print that's this months draw for subscribers to my blog updates.