Portugal

Portugal was wonderful especially the areas away from the built up tourist areas. The old towns with their winding narrow streets and alleys are so lovely to see. I took quite a few photos but here is one that I really like. It was taken in Silves inland from Albufeira in the Algarve which is in the southern part of Portugal. There is a lot of decorative tile work but I loved the way this one was set into a doorway. I shall post a few more photos in the next post.

After such a nice holiday I am eager to get back into my studio again.

Revitalization of the Creative Spirit

On Monday I am off on holiday for two weeks. The last four months have not been the best in our lives and I think my creative spirit has suffered from the anxiety and general stress. Now that the health issues that landed unexpected on both of us over the holiday period have been resolved, we are ready for some fun.

So where are we off to you are wondering. We are going to Portugal to the Algarve. We have been to Spain several times before when we were living in the UK and really liked it so I am sure we will enjoy Portugal too. One of the really nice things about the trip is that we will be meeting up with another couple from the UK who we went to Spain with last time. My friend is a wonderful artist and we used to spend many hours together in the UK visiting art galleries and attending painting courses. It's so nice to have friends with similar interests and I especially miss her company now that I am in Atlanta. That is one of the sad things about moving so often, you leave wonderful friends behind.

I hope to take some photos of the beautiful beaches on the Algarve and to see some great art and local crafts. I also hope to be inspired and revitalized so that when I return in a few weeks time I am ready to plunge into my art with renewed gusto!

Go Figure

Go Figure is the name of an exhibition that is currently showing here in Atlanta at the Spruill Gallery. It's a really good exhibition with a variety of work focused on the figure. A couple of weekends ago they held an event where three of the artists whose work is on show, spoke about their work. It was very interesting and one of the best events of it's kind that I heve been to. I got there early as I thought that there would be quite a crowd however there were only the three artists, the gallery director and assistant and less than five visitors! I was amazed and I think they were too. I think they had expected a lot of local art students to attend along with other members of the public. I'm sure it was very disapointing for them however they may need to look at their attitude to the public. When I first arrived in the area I went in to see an exhibit and then went and asked the person on the desk where I could find out about local art events or classes. He was very abrupt and not at all friendly or helpful. Every time since then when I have been there to see an exhibit I have found the staff very unwelcoming. I have never been greeted with a hello or welcome to the gallery and if I made a comment about how nice the show was I only got a curt reply. Prior to the Go Figure artists talk I met a friend and we went to see the exhibition. Once again we were not greeted and the gallery director came in and started talking to the assistant and ignored us. My friend mentioned to the assistant, as we were about to leave, that she thought it was a lovely exhibition to which we got no reply. Once outside my friend said to me how she thought that the girl was quite rude for not even answering and that she had found them very unfriendly whenever she had been in the gallery on previous occasions. Exactly my own experience. I find people in the area very helpful, polite and friendly and I can't understand why it's so bad at this gallery. Perhaps that's why they didn't get many visitors for their talk.


Just to brighten up this post I will attach one of my small abstracts.

Collagraph Artists Proofs

I have just pulled another collagraph print of 'Breathe'. This one is a much brighter version. I now have four options to submit to the 'Trees in Art' National Exhibition here in Atlanta and I have to decide which one to go with. I would have liked to do a painting to enter but somehow this print just asked to be done. I only hope that the judges actually realise what I am trying to say and don't just think it is an odd looking little tree. Here are the last two variations.

The Green Version

After printing up two or three versions of my 'lung tree' in blues I decided to do a green version which is probably more in keeping with the ecological idea. I think my name for this piece will be 'Breathe'.

Which one do you like best?

Trees - Lungs of the Earth

I have just spent the morning printmaking. There is an upcoming exhibition with the theme "Trees" and although I don't usually do trees I thought it would be fun to have something to submit. I also wanted to create a piece with a slight ecological twist and because trees breathe I decided to combine lungs and a tree shape and put it into a landscape. Here is the result so far. Below the image you will find the process described.



The picture doesn't show up all the colours that well however after proofing it twice I am now reasonably happy with it. Here is the process I used for making a collagraph print.

After drawing out the design on mat board I cut into the trunk and branch areas where I wanted the shapes to be raised. Remember that in the printing process everything is in reverse. Anything cut deep into the printing plate becomes raised after printing and the raised areas of the plate become deep, plus the image is reversed. I then built up the landforms and added carborundum where I wanted the very dark area. Once the plate was finished and had been covered with shellac to seal it I was ready to ink it up. The first colour was deep blue which went over the whole plate filling all the cracks and branches. After wiping off most of the blue ink then I rolled over the whole plate with a transparent green and then followed up with another roll of light creamy orange. This last colour I will make stronger next time I print it to bring out the definition more and to warm the whole thing up.

I need a good name for this work. Any ideas ?

Just as an afterthought, I have trouble deciding how to spell things in these posts. Should I use the English spelling of words or the American way now that I am living in the US. Somehow I just couldn't bring myself to write colour as color today. Perhaps another time.

Saxophone Print Winner

Finally I have done the draw for the free Saxophone print that I offered in November. I will be contacting the winner today. I won't give the full email address here but it starts with Rott, so if that's you make sure you look out for the incoming email.

So it's a new year and I'm ready for some new work. I have been asked by a local gallery to create more of my abstract works to show in a few months time. I actually really like working in less realistic manner. It always amazes me how the shapes flow from the unconscious and the fascination that happens as I work with the imagery. Strange but very interesting. The new pieces have a lot of underlying pattern and texture. I have attached a picture of the largest piece which is 48H x 36W inches and another smaller work. As you will see they are quite different from the saxophone and cello paintings I have posted here. I would be very interested to get your comments

In The Art Studio Again

I finally made it back into the art studio again today. I started preparing for a Simple Printmaking course that I am due to give at the Atlanta Artists Center on January 17th although I just found out that they haven't posted it on their web site yet. With peoples holiday costs, the late listing and the economy I'm not sure that we will get enough people for it to go ahead but I will do the preparation anyway.

I find printmaking very seductive. The effects are exciting and there is always the compulsion to try just one more print to see how it turns out. I am eager to do a lot more printmaking this year now that I am all set up with the press and fantastic inks from the UK.

The holidays were both enjoyable and stressful. After having surgery a few days before I left for Toronto and then not feeling the best while I was there, took a bit of the fun out of it all. I was actually quite happy to be back home again, however Toronto was heavily blanketed with the wonderful white stuff and not very cold so that was lovely.

With the unexpected surgery and the holidays I am way behind on updating my blog and sending out the winner of the Nov free gift. I will post that in the next few days.

Life's Irritations

If you have been wondering why I haven't been posting to the blog the last few weeks it's because I haven't been in the studio working but instead fighting a very resistant sinus infection. After three or four lots of antibiotics I finally got to an ENT person this week, had a CT scan, and found out I have to have surgery. Right on Christmas too! I had a tooth out back in April/May and since then have had pain in the same area followed by a very nasty ongoing sinus infection. Dental x-rays showed nothing but the CT scan showed what looks like a little piece of bone or tooth lodged up in the sinuses. They are going to try and hunt it down and remove it. Once that goes I should get rid of the infection and feel normal again. It's very hard to feel creative when all your teeth and face aches. The one good thing is that in another day and age, or even a country without dental or medical care, I would probably die from the infection going into my brain. I think I should count my blessings and not complain.

November Free Draw

I know that it is late in the month to write about this but the free draw for November, for signing up to receive email updates to this blog, is a giclee print of the cello painting posted here today. Remember you have to be in to win!

You will find the box to sign up just down a little and to the right. Do it NOW!

Abstract Painting

I feel this piece is finished although after a few more days I will probably find something I want to change. Next week I will be back into printmaking. I have some ideas I am eager to try out.

I have finally set the dates for my two printmaking workshops at the Atlanta Artists Center. The first one, Simple Printmaking Without a Press, will be on Saturday January 17th. In mid March I will do the Collagraph Printmaking Workshop which will be two full days. The dates for this are March 22nd and 23rd. I'm really looking forward to doing both these workshops. Once all the info is up on the AAC web site I will put a link here to it.

Abstract In Process Sailing Along

I have been busy in the studio again today. I had this nice sized canvas just waiting for something to be put on it. It's 30 inches square so a good size to work on. I wanted to work in a more abstract way again and while looking through a magazine I saw some pictures of sail boats. They have lovely swooping lines which really appeal to me. I seem to have a fixation for lines and flowing shapes.

Inspired by the sails I drew out a few shapes and then started adding lines and shapes that flowed organically from one to another until I got a basic design that I liked however I kept extending and deleting lines as I went along. Before I laid out the design on the canvas I made a messy underpainting with lots of colors and drips etc to get me started. I then began to block in the shapes by painting around each shape with color.

I have posted two photos of the process up to where I am now. I have lots of transparent layers ready for the next stage which is to start using more opaque paint You can see a couple of places where I have started this already. It's always exciting to see where the process leads and if it is successful or not.

Abstract Work

I have been taking a break from printmaking to play around with some more abstract work. I used to work this way a lot but recently my paintings have been leaning towards a more realistic look. It has been fun and I am eager to experiment with more of this type of work in the future.

I had a tidy up in my studio last week although looking at it this morning you would never think that I had. Part of the clean up included pulling out lots of work and trashing some of it. Every six months or so I like to have a throw out. I keep things for a time as a record of what I was doing and to see if there has been any progress. A few pieces I have kept for years and others only a month or so. Lots go in the bin the day I do them especially the work from the life drawing session I try and attend each week.

This week at the life drawing I decided to work in oils instead of just drawing. The pose was quite stiff and unnatural looking but the girl had this wonderful curly orange hair. The session was only a couple of hours so it's unfinished but I've posted it here, along with one of my abstracts, to show you the two different kinds of work I have done this past week. You can see how strange they look together. The "Girl with the Orange Hair" painting is likely to be trash in a week or so too.

Musical Collagraph Update

I ran another print from the musical plate. I think it's better than the first two but I still think the colors could be improved. If you feel like making a comment or suggestion that would be great.

Musical Themed Collagraph

At last I have been able to get back into the studio and do some printmaking. You may remember, if you have been following my blog, that I spent some time building a set of four musical themed collagraph plates to print as one image. I printed up a couple but then got busy with some paintings and other stuff and never got to printing up all four together. Yesterday I pulled two prints from them but was pretty disappointed with them both. I was experimenting with viscosity roll ups starting with an intaglio in dark blue, followed with a hard roller roll up in red, followed by a soft one in yellow. The idea was for them all to overlay and create some beautiful greens and purples as well as the colors that I used however that didn't happen. While doing the first one I was interrupted and the paper dried out a bit and the inks too, so the image isn't as sharp or dense. Also the yellow didn't blend with the blue in many places and so is just too bright. The second one I did in the same manner but used a cad yellow and cad red to try and dull it down a bit but it is still too bright. The great thing about all this though is how much you learn each time you proof a plate. The other challenge with this print is the size relative to the size of my press. The image is 32 inches long and the press bed is only 36 inches so it was difficult to get the paper trapped under the roller, get the plates tucked in close and then have some room left at the other end to hold the roller on the print bed once the print has been rolled through. I think I will have another attempt to print this plate but ink it up in my usual way and then see how it turns out.

Art Festival Madness?

Although I knew the economy was in a bad state I decided a few months back that I was going to take part in some local art festivals next summer. I have done Open Studios and a few small art festivals in the past and what I really enjoyed about doing them was the people contact. It's great being able to talk to people about the art and get feedback. This is something that doesn't happen when work is in a gallery. Last weekend, in preparation for next years festival season, I had a practice run at a very small new festival. It was very small, as I knew it would be, with very few patrons however it served it's purpose for me very well. After squeezing everything into two cars we arrived at the festival and managed to get the tent up along with the display walls. Everything worked and looked great. We met a couple of other artists who were also showing and they were really nice so it made for a pleasant day. Sales were bad for everyone but I did manage to break even and was lucky enought to win an honorable mention and cash award for one of my paintings. I now feel prepared for the larger shows next summer. Lets hope the economy picks up a bit by then.

Collagraph Printmaking Workshop

I have just finished writing up the info for a collagraph printmaking workshop that I am going to give early next year at the Atlanta Artists Center. The dates are not set yet but it will be a two day workshop on a weekend in either January or February. I am quite excited about doing this as I really like to teach and I think collagraph is a fantastic form of printmaking. What is particularly great about it that even absolute beginners get wonderful and exciting results that look very professional. Once everything is confirmed I will post the info.

Exhibiting at Art Festivals

and Open Studios

When I was living in Ottawa, Canada, I took part in several Open Studio events and art festivals. I really liked the Open Studio format. I opened my home and showed my art in a normal house setting as opposed to a formal gallery environment. People really enjoy seeing art this way. They get to see inside someone's house or studio, see art, and meet the artist. I like going to them too for the same reasons. The Ottawa event I took part in was exceptionally nice. There were about fourteen artists and the tour was walkable as I lived in a fantastic inner city neighbourhood. I have had people ask me why I would do Open Studios as surely I would run the risk of being robbed or how could I enjoy having people snoop into my house. I have always found that people who are interested in art are not generally likely to rob me and are in fact extremely respectful of my home. I actually find it very enjoyable thing to do. I did several Open Studios in the UK when I was living there. They are a fairly new idea in the UK but seem to be spreading. My house there was ideal for holding such an event as it was very open and bright and had a gallery like feeling. At the second event I did there I asked a friend who was an amazing potter to join me. That made it really nice as our work complimented each others. In the photo above you can see her work, which has sea colors and applied shell shapes, and my painting of shells.

I also took part in a couple of art festivals in Ottawa one of which was "Art in the Park". It was started up by a local artist, a real character called Bhat Boy, and I was one of the organizers for a couple of years. It was a very laid back event and pretty basic but I believe that in the six or so years since I left Ottawa it has grown very large.

Here in the US art festivals are a big thing and there seem to be several going on most weekends. I have decided it's time for me to put up a tent and become part of them although it's not actually a good time to start with the economic climate being what it is. My first one is the "Seven Springs Arts Festival" in Powder Springs near Atlanta. This is the first year the event has been held and so I have no idea what it will be like however it is close by and I need to have somewhere to try out all the new gear that doing a festival requires. I live in a condo so I don't have anywhere to set up the tent and try it out at home so I hope I don't look too silly the first time I put it up at the festival. It's a one day event on October 18th. Details. I am now getting organized to apply for more events in 2009.

Washington DC

I have just spent a few days in Washington DC. I was very impressed and so glad to have had the opportunity to visit. I actually didn't go to the White House but only saw it from a distance. I was more interested in the Smithsonian Museums and the monuments to Jefferson, Lincoln and Washington. I found the monuments especially compelling after recently watching the TV series John Adams. Coming from New Zealand and only having a fairly basic understanding of American history I found the series wonderful. It was very well acted and really bought the personalities to life for me.

The Smithsonian Museums are fantastic. I am envious of the people who live in the area and can go and visit them whenever they wish. I was able to see some wonderful art in the many museum galleries and in the Newseum, a building that is a work of art itself.

I also checked out an art festival that was on over the weekend called "Arts on Foot". It was very disappointing. Most of the booths looked very amateurish in presentation and the art was much the same. There was a lot of crafty stuff and an abundance of jewelers, a couple of whom had very nice work. I thought that an art festival in downtown DC would be of a high standard so I was suprised to find otherwise. The tents provided by the city were good looking and the entry fees were very reasonable so all in all a great pity. The vendors in the show did look to be selling though so perhaps other people liked it more than me.

Art Studio Clean Up

The last few days I have been doing lots of art related things but no actual art making. I feel a bit of a slob as I have spent lots of time on the computer and didn't go to the gym or get any exercise which I like to do. My husband has been away so we haven't even been out walking each day.

He got really angry with me last week. When we meet new people and they ask me about my art work he says I should have a small portfolio to show them what I am about. Sort of a little granny brag book, something else I don't have even though I now have a lovely little granddaughter. Anyway I feel funny about pulling out one of those but I have been reading about artists having a brochure that shows a few pictures and tells about the artist and their work. So today I decided to put one together. I have this old Corel program called Corel Printhouse that is wonderful for things like that however it won't run on my laptop so I had to sit down at my old computer and work there. It seemed to take me all day by the time I wrote it and proofed it several times. It's amazing how many mistakes and writing changes that need to be made. I'm quite happy with it now and I know I will feel ok about giving one to anyone who is interested.

I am also in the process of making up a large portfolio with all my kimono collagraph prints in it. They will benefit from being in one as they get handled a lot and this will keep fingers off the paper and still allow people to flip through them and see them. They look very nice in there too with the black paper backing. I think I will make a smaller one as well for my other printmaking work so that I have exampes to show when I start teaching basic printmaking.

Part of all this is the big clean up I have been doing in my art studio. I still have more to do but the art work in my plan chest is all sorted and tidied up. I'm not sure what a plan chest is called in the US but it is an architects set of drawers large enough to hold plans. Mine is huge and holds two full sheets of paper side by side. It's one of the best art things I have bought.

Tomorrow evening is the opening of the Atlanta Artists Center National Exhibition. I have never managed to get to one of the openings so I am looking forward to it.

My next post will have some photos instead of all the blurb!